{"id":253,"date":"2024-10-07T10:59:33","date_gmt":"2024-10-07T10:59:33","guid":{"rendered":"https:\/\/wsa-creativetechnologies.uk\/kb4n24\/?p=253"},"modified":"2024-11-27T12:08:54","modified_gmt":"2024-11-27T12:08:54","slug":"chapter-tracing-the-voices-digital-materiality","status":"publish","type":"post","link":"https:\/\/wsa-creativetechnologies.uk\/kb4n24\/chapter-tracing-the-voices-digital-materiality\/","title":{"rendered":"Read &#8211; Chapter &#8211; Tracing the Voice&#8217;s Digital Materiality"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"992\" height=\"1024\" src=\"https:\/\/wsa-creativetechnologies.uk\/kb4n24\/wp-content\/uploads\/sites\/4\/2024\/11\/Screenshot-2024-11-27-at-11.00.51-992x1024.png\" alt=\"\" class=\"wp-image-254\" srcset=\"https:\/\/wsa-creativetechnologies.uk\/kb4n24\/wp-content\/uploads\/sites\/4\/2024\/11\/Screenshot-2024-11-27-at-11.00.51-992x1024.png 992w, https:\/\/wsa-creativetechnologies.uk\/kb4n24\/wp-content\/uploads\/sites\/4\/2024\/11\/Screenshot-2024-11-27-at-11.00.51-291x300.png 291w, https:\/\/wsa-creativetechnologies.uk\/kb4n24\/wp-content\/uploads\/sites\/4\/2024\/11\/Screenshot-2024-11-27-at-11.00.51-768x793.png 768w, https:\/\/wsa-creativetechnologies.uk\/kb4n24\/wp-content\/uploads\/sites\/4\/2024\/11\/Screenshot-2024-11-27-at-11.00.51.png 1238w\" sizes=\"(max-width: 992px) 100vw, 992px\" \/><\/figure>\n\n\n\n<p>page 178 <\/p>\n\n\n\n<p><strong>Reference <\/strong><\/p>\n\n\n\n<p>Plate, L. <em>et al.<\/em> (2023) \u2018Tracing the Voice\u2019s Digital Materiality\u2019, in <em>Materials of culture: Approaches to materials and their relevance for cultural studies<\/em>. Bielefeld: Transcript, pp. 173\u2013179.<br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>page 178 Reference Plate, L. et al. (2023) \u2018Tracing the Voice\u2019s Digital Materiality\u2019, in Materials of culture: Approaches to materials&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[9,10],"tags":[],"class_list":["post-253","post","type-post","status-publish","format-standard","hentry","category-learningjourneys","category-reading"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"kb4n24","author_link":"https:\/\/wsa-creativetechnologies.uk\/kb4n24\/author\/kb4n24\/"},"uagb_comment_info":0,"uagb_excerpt":"page 178 Reference Plate, L. et al. (2023) \u2018Tracing the Voice\u2019s Digital Materiality\u2019, in Materials of culture: Approaches to materials&hellip;","_links":{"self":[{"href":"https:\/\/wsa-creativetechnologies.uk\/kb4n24\/wp-json\/wp\/v2\/posts\/253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wsa-creativetechnologies.uk\/kb4n24\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wsa-creativetechnologies.uk\/kb4n24\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wsa-creativetechnologies.uk\/kb4n24\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/wsa-creativetechnologies.uk\/kb4n24\/wp-json\/wp\/v2\/comments?post=253"}],"version-history":[{"count":2,"href":"https:\/\/wsa-creativetechnologies.uk\/kb4n24\/wp-json\/wp\/v2\/posts\/253\/revisions"}],"predecessor-version":[{"id":310,"href":"https:\/\/wsa-creativetechnologies.uk\/kb4n24\/wp-json\/wp\/v2\/posts\/253\/revisions\/310"}],"wp:attachment":[{"href":"https:\/\/wsa-creativetechnologies.uk\/kb4n24\/wp-json\/wp\/v2\/media?parent=253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wsa-creativetechnologies.uk\/kb4n24\/wp-json\/wp\/v2\/categories?post=253"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wsa-creativetechnologies.uk\/kb4n24\/wp-json\/wp\/v2\/tags?post=253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}